Someone asked me a few days ago, why I read juvenile literature. The only answer I
could think of is, “Why not?”
I did stop reading such books in my teens, but when I had
kids, I started again. I was reminded of
what great art is published in children’s picture books and what fine coming of
age stories, historical novels, and great fiction are written for the juvenile
market. There is always a bit of poetry,
magic realism and hopefulness in the books I read – I’ve kind of skipped over
the whole dystopian young adult phenomena, just as I’ve try to choose “adult”
literature that doesn’t leave me feeling bereft about humanity.
Children’s books are written by adults and most are purchased by
adults, so the writers and illustrators keep that in mind. These writers are adults who have kept
their sense of play and wonder.
My latest favorite in juvenile literature is the picture
book From the Good Mountain, How Gutenberg Changed the World by James Rumford, published
recently by Roaring Brook Press.
It’s illustrated like an illuminated book from
1450. The book begins, “It was made of
rags and bones, soot and seeds. It wore
a dark brown coat and was filled with gold.
It took lead and tin, strong oak and a mountain to make it. What was it?”
The whole process of the first book is then
told, from how the paper was made, to how the printing press was constructed, and
how the pages were sewn together. You really
get a sense of the time and energy it took to make a book. Although it was not a simple process, it did
make books easier to publish and eventually made reading a skill available to
even the poorest of people.
Rumford is an award winning author who spent over 2 years
writing and illustrating this book. He is also a papermaker, letterpress printer and
binder. His love of the book form is
evident on every page. But unlike many
who fear the loss of the form, Rumford is excited about the way technology is
leading to new kinds of books. I love
how the golden flora in the borders of the illustrations transform at the end
into the circuits of a computer chip.
Each two page spread is illuminated like a 15th
century incunabula, the term for the first printed books, which means “cloth in
which you wrap a newborn baby.” I found
this out in the informative epilogue that gives a history of books, as well as
some insight into why he chose to portray Gutenberg in an elegant red
turban.
The book begins with a portrait
of the city of Mainz, Germany,
where the first book was printed, and ends with the same scene lit by a rosy
dawn. The watercolor painting is
gorgeous.
Much of the action takes place in margins. The characters are beautifully painted
anonymous workers all contributing to the production of the mysterious
book. On every page there is something
surprising to learn about how a book is made.
People are busily boiling rags and bones, processing ink,
pressing paper. Medieval times come to
life with dirt and glory. Children
work along side their mothers, ladies hold their noses against the smell of the
tannery. There is a lovely vignette of
an African boy panning for gold for the gilding process. Another scene shows children begging as
workers troop by with printing supplies. The overall feel is active excitement as people work together to make this marvelous new thing.
The illustrations were done in pen and ink and painted with
watercolor and gouache. On his website,
Rumford says:
“I would make the look of the book as
old-fashioned as it could be so that kids today could feel what it was like to
hold a richly ornamented book in their hands. On each two-page spread I decided
to show how each step in the bookmaking process was done—from paper making to
gilding to typecasting and press-building. I would end the book by showing
graphically how the old technology was being transformed into the new as I
changed the gilded designs of the illuminated pages gradually into the circuits
of a modern computer. To emphasize this, I painted a portrait of Gutenberg in
the style of fifteenth-century illuminators on the front cover while on the
back cover I digitally transformed the same picture into a portrait of a
computerized man….Since the illustrations were to be
like the miniatures done in medieval manuscripts, I decided from the start to
rely heavily on the computer. This gave me the freedom to break up the image
and work on each element separately….Thanks to the computer
I was able to approximate the unique work of fifteenth-century illuminators.”
It’s an absolutely delightful book and a visual treat for
anyone who loves art, books or a history.
The writing is crisp and rhythmic, and is fun to read out loud. I enjoyed the way each new page spread answered a question from the previous page. It held the attention of my 5-8 year old audience, and the illustrations were great for prompting questions. But I think I liked it best.
James Rumford lives in Honolulu
and runs Manoa Press, which makes handmade books. He is the author of the award winning Silent Music, and Tiger and Turtle, both of which I hope to read soon. James Rumford website is here:
And the website for his press is here:
As a side note, From the
Good Mountain, reminded me of another children’s book that I love, Marguerite Makes a Book, by Bruce
Robertson and illustrated by Kathryn Hewitt, published by J. Paul Getty Museum
in 1999. This is also done in the
illuminated style of the 1400s. A young
girl helps her father make inks and illustrate prayer books for the
nobility. She journeys all over Paris
gathering supplies from goose eggs, to vellum, to the minerals needed to make
paint. Kathryn Hewitt recreates the ornate luxury of a prayerbook. It was inspired by a book
in the Getty collection. This book is
still in print and widely available.
So, literature had it's beginning in conjunction with illustrations. So don’t limit yourself.
Even if you are an adult with no kids in sight, let the magic of picture
books back into your life.




I appreciate your review/link for Rumford.
ReplyDeleteThe book looks intriguing, and his site explanation for on-demand-printing seems to predict a hopeful future for books. It's way past time for an alternative to the mostly generic and disappointing output/habits of the children's publishing industry.
Thanks!
I've been fortunate to keep in touch with small presses most of my life. I used to do a radio program in Memphis reviewing books exclusively from the small presses, so I have always been able to find something more than the generic output. One reason I decided to start doing book reviews again is to help get the word out about these treasures that get lost in the flood. (Plus, I'm a book-a-holic.) You might want to check out Tara books (http://www.tarabooks.com/),
ReplyDeletea press in India that is doing beautiful, artful books using Indian folk art. Thanks for stopping by!